<\/h3>\n

( 7TH CENTURY TO PRESENT DAY )<\/h2>\n

\n

 <\/p>\n

GEOGRAPHICAL<\/h3>\n

 <\/p>\n<\/div>\n

<\/div>\n

\n
• The Moslem faith flourished principally in the countries of Southern Asia and Northern Africa<\/li>\n
• In modern times the following countries were governed by Islamic rulers and largely populated by Islamic people during the following periods indicated<\/li>\n<\/ul>\n
  <\/div>\n

  \u00d8\u00a0 Africa North of Sahara ( 7thcentury onwards )<\/div>\n

  o\u00a0\u00a0 Morocco<\/div>\n

  o\u00a0\u00a0 Algeria<\/div>\n

  o\u00a0\u00a0 Tunisia<\/div>\n

  o\u00a0\u00a0 Libya<\/div>\n

  o\u00a0\u00a0 Egypt<\/div>\n

  \u00d8\u00a0 Sahara and Eastern Africa ( 9thcentury onwards )<\/div>\n

  o\u00a0\u00a0 Spanish Sahara<\/div>\n

  o\u00a0\u00a0 Mauretania<\/div>\n

  o\u00a0\u00a0 Mali<\/div>\n

  o\u00a0\u00a0 Northern Nigeria<\/div>\n

  o\u00a0\u00a0 Niger<\/div>\n

  o\u00a0\u00a0 Chad<\/div>\n

  o\u00a0\u00a0 Sudan<\/div>\n

  o\u00a0\u00a0 Somalia<\/div>\n

  \u00d8\u00a0 Asia and Asia Minor\u00a0 ( 7th century onwards )<\/div>\n

  o\u00a0\u00a0 Saudi Arabia and the States of Arabian Peninsula<\/div>\n

  o\u00a0\u00a0 Syria<\/div>\n

  o\u00a0\u00a0 Israel<\/div>\n

  o\u00a0\u00a0 Jordan<\/div>\n

  o\u00a0\u00a0 Lebanon<\/div>\n

  o\u00a0\u00a0 Iraq<\/div>\n

  o\u00a0\u00a0 Iran<\/div>\n

  \u00d8\u00a0 Asiatic Turkey \u2013 10th \u00a0century onwards<\/div>\n

  \u00d8\u00a0 Afghanistan \u2013 9thcentury onwards<\/div>\n

  \u00d8\u00a0 South Russia \u2013 7th to 9th century onwards<\/div>\n

  \u00d8\u00a0 Mongolia ( part of ) 11thcentury onwards<\/div>\n

  \u00d8\u00a0 Philippines and Indonesia \u2013 14thcentury onwards<\/div>\n

  <\/div>\n

  \n
  • The spread of Islam has been frequently associated with military conquest, racial movements and in some cases displacement of established populations.<\/li>\n<\/ul>\n
    <\/div>\n

    \n

    GEOLOGICAL<\/h3>\n<\/div>\n

    <\/div>\n

    \n
    • The countries to which Islam first expanded were already rich in building tradition<\/li>\n
    • Important techniques of exploitation of natural resources for building work and trade-in building materials had long been established<\/li>\n
    • Brick making and pise\u2019 walling was almost universal in the alluvial plains<\/li>\n
    • In stone bearing areas, the arts of selecting and working stones were strong<\/li>\n
    • Building stones occur in variety throughout the Islamic world<\/li>\n
    • Knowledge of the more sophisticated techniques applicable to the building was based on locally produced materials\u00a0 \u00a0 \u00a0<\/span><\/li>\n
    • There was a long tradition of ceramic production, use of gypsum plaster, glass manufacture, and various forms of metalwork needed for building<\/li>\n
    • The prevalence of earthquakes in near and middle eastern countries resulted in the employment o some long-established structural technique<\/li>\n<\/ul>\n
      <\/div>\n

      \n

      CLIMATIC<\/h3>\n<\/div>\n

      <\/div>\n

      \n
      • Much of the territory historically dominated by Islam tends to be fertile under irrigation rather than direct rainfall<\/li>\n
      • Although some of the most important areas fall within the Mediterranean climatic region, the greater part o the Moslem world lies with I the grip of some form of Continental climate, with extremes of temperature and modest rainfall<\/li>\n
      • Excessive sunshine\u00a0 <\/span>has produced a tendency towards wide eaves and sheltering arcades<\/span><\/li>\n
      • Window openings are minimized and rainwater disposal neglected<\/li>\n
      • The cooling effect of structures with very heavy walls and high rooms had been widely exploited<\/li>\n
      • Unprotected circulation areas are common<\/li>\n<\/ul>\n
        <\/div>\n

        \n

        SOCIAL<\/h3>\n<\/div>\n

        <\/div>\n

        \n
        • The Arab groups were essentially tribal<\/li>\n
        • Behavioural patterns and cultural tribes of emergent Islamic societies were based on the traditions of the desert<\/li>\n
        • Public life was reserved for men<\/li>\n
        • Women played\u00a0 a secondary role, assuming a major share of the domestic and sometimes of the agricultural burden<\/li>\n
        • The women\u2019s place was the private part of the household \u2013 the Harem<\/li>\n
        • In public life, she was protected by the anonymity of the veil<\/li>\n
        • Men performed significant\u00a0 public duties and controlled public affairs<\/li>\n
        • Islamic states made provision for the existence within them self contained communities\/groups of different religion<\/li>\n
        • The government was normally direct, by a despotic ruler or his deputy, and the law was based on the teachings of the Prophet, interpreted by a theologically trained judiciary<\/li>\n<\/ul>\n
          <\/div>\n

          \n

          RELIGIOUS<\/h3>\n<\/div>\n

          <\/div>\n

          \n
          • Islam is the last of the three great religions of the Middle East<\/li>\n
          • Its essence is contained in a simple sentence, which is both the profession of faith and the credo of its adherents \u201c There is only one God and Mohammed is his prophet \u201c<\/li>\n
          • Moslem thought is codified in three works<\/li>\n<\/ul>\n
            <\/div>\n

            \n
            1. Koran is regarded as revelation through the medium of the prophet Mohammed<\/li>\n
            2. Hadith is a collection of his saying or injunction<\/li>\n
            3. Law which is extracted from the Prophet\u2019s instruction, from tradition and example<\/li>\n<\/ol>\n
               <\/div>\n

               \n
               • The prophet\u2019s successors were the \u201c Caliphs \u201c<\/li>\n
               • The Islamic world is divided into Sunni and Shia persuasions<\/li>\n
               • Sunni \u2013 in Turkey and Africa<\/li>\n
               • Shia \u2013 in Persia and Iraq<\/li>\n<\/ul>\n
                 <\/div>\n

                 \n

                 ARCHITECTURAL CHARACTER<\/h3>\n<\/div>\n

                 <\/div>\n

                 \n
                 • Islamic architecture is not the product of anyone place or people<\/li>\n
                 • It is the product of a major historic event \u2013 the rapid conquest of diverse territories by people with no architectural tradition<\/li>\n
                 • It is a combination of the religious philosophy of Mohammed and the legacy of Hellenistic and Sassanian arts of buildings<\/li>\n
                 • The majority o Islamic buildings are fundamentally related to a principal axis:<\/li>\n<\/ul>\n
                   <\/div>\n

                   \n
                   1. Principal axis \u201cKibla \u201c \u2013 the general concept was derived from the line of balance and symmetry implicit in the concept of \u201cperfect creation\u201d<\/li>\n
                   2. Secondary axis \u2013 frequently extended into a formal landscape which is an integral part o the design<\/li>\n<\/ol>\n
                      <\/div>\n

                      \n
                      • It employs a relatively limited repertoire of elements: arcades, dome spaces, courts and huge portals, perhaps incorporating a great niche, the \u201c Iwan\u201c<\/li>\n
                      • Islamic architecture is fundamentally centred upon God<\/li>\n
                      • Mosque, tombs, and dwellings are the chief buildings<\/li>\n
                      • The dominant\/chief building is the mosque<\/li>\n
                      • It is always conceived around an axis directed towards Mecca and except for the first instances, this axis is terminated on the inner face of the mosque by the mihrab \u2013 a niche where the leader of the congregation makes his prayer<\/li>\n
                      • Were of far greater architectural importance internally than externally<\/li>\n
                      • The inward-looking building whose prime purpose is contemplation and prayer<\/li>\n
                      • Interior of earliest mosques\u00a0 are characterized by forest o columns which support arches under low flat roofs, while richly decorated walls and domes are features of the later periods<\/li>\n
                      • It is not however designed to be spiritually uplifting or to produce a sense of exaltation, no positive object of attention or adoration is added<\/li>\n
                      • Prayer space is almost unfurnished<\/li>\n
                      • It is essentially democratic and may be served many functions other than prayer<\/li>\n
                      • Remains the focus of Moslem life \u2013 something between a forum and a prayer house<\/li>\n
                      • The first example was the courtyard of the Prophet\u201ds house in Medina<\/li>\n<\/ul>\n
                        Mosque \u2013 a Muslim house of worship<\/div>\n

                        Minaret \u2013 a tall tower in, or continue to a mosque arched stairs leading up to one or more balconies from which the faithful are called upon to pray<\/div>\n

                        <\/div>\n

                        The first minarets were the first extant towers of the \u201ctemenos\u201d of Hellenistic temple which became the Great Mosque of Damascus<\/p>\n

                        \n
                        • Position of the minarets varied widely, several clear tendencies are apparent: a single minaret associated with the main entrance ( Mesopotamia and North Africa ); a coupled minarets associated with the entrance gate (Seljuk and post-Seljuk Persia ); a single minaret off \u2013 centre between courtyard and prayer chamber, usually on the south side ( Turkey )<\/li>\n
                        • Mosque with more than one such minaret was by almost universal tradition built by the members of the ruling house<\/li>\n
                        • Four is the normal maximum<\/li>\n
                        • A mosque with six is exceptional<\/li>\n
                        • Ka\u2019aba at Mecca is unique with seven<\/li>\n<\/ul>\n
                          <\/div>\n

                          The courtyard which is so fundamental feature of the mosque is also in its several variations, the principal element o other building types, the college ( Medrese or Madrassah ), the hostel ( Han or Caranvaserai ), the palace and the house<\/div>\n

                          \n
                          • The most important form of the opening was the \u201cpointed arch \u201c<\/li>\n
                          • Originally in Assyria was both used internally and externally<\/li>\n
                          • Principally two or four centered<\/li>\n
                          • Generally constructed as true arch<\/li>\n
                          • Corbelled examples were common in India<\/li>\n
                          • Window openings were frequently small and traditionally closed with wooden shutters, iron bars, marble grilles or plaster lights set in glass<\/li>\n
                          • The roof may either be flat, pitched or domical construction<\/li>\n<\/ul>\n
                            Pitched roofs in the Mediterranean countries were generally covered with Roman tiles, while domes were sheathed with marble in India, ceramic tiles in Persia and Iraq and lead in Asia Minor and Europe<\/div>\n

                            \n
                            • Flat roofs were rendered, paved, sealed with bitumen or compacted clay<\/li>\n
                            • Barrel vaulting or cross vaulting was extensively used for minor spans, particularly caravanserais, bazaars, military works and cisterns<\/li>\n
                            • Domes were widely used throughout the Islamic world<\/li>\n<\/ul>\n
                              Persian, Mughal and Egyptian domes tended to be pointed in contrast to the hemispherical\u00a0 Turkish version<\/div>\n

                              \n
                              • Ancient Greek and Roman columns were often re-used by Moslem and thus became models for new work particularly Turkey<\/li>\n
                              • Fluted columns were not employed<\/li>\n
                              • Tapering circular shafts, with entasis were common, except in parts of Persia where Sassanian influence continued, and in India, where a square form occurs derived from the Jain model<\/li>\n
                              • A wide variety of mouldings and friezes is found; Ottoman architecture, in particular, is distinguished by a rich vocabulary of mouldings often used in isolation from other forms of ornament<\/li>\n
                              • Moslem architecture is also characterized by friezes and crestings, often associated with the mouldings<\/li>\n
                              • Abstract and geometric motifs were basic constituents of Islamic ornament<\/li>\n<\/ul>\n
                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Decorations of Moslem buildings were extensive and they made use of the following techniques:<\/div>\n

                                a. carving in bas relief \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 g. ceramic facing<\/div>\n

                                b. stone inlay\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 h. ceramic mosaic<\/div>\n

                                c. stone mosaic\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 i. glass mosaic<\/div>\n

                                d. structural assembly of contrasting stones\u00a0 j. painting<\/div>\n

                                e. patterned brickwork\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 k. timber inlay<\/div>\n

                                f. carved stucco\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 l. pietra dura<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Motifs were derived from calligraphy, floral abstraction, geometric interlacement<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The most recurrent and characteristic precise architectural features of Islamic architecture are as follows:<\/div>\n

                                a. arcading ( arcade ) in both timber and masonry<\/div>\n

                                b. pointed arch<\/div>\n

                                c. true dome<\/div>\n

                                d. columns, similar in proportion to Greco-Roman models and their derivatives<\/div>\n

                                e. squinches<\/div>\n

                                f. stalactite corbelling<\/div>\n

                                g. pendentives<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The most significant structural and decorative techniques used by the Moslems are:<\/div>\n

                                a. banded or striated masonry<\/div>\n

                                b. decorative bonding for brickwork<\/div>\n

                                c. interlocked and inlaid stone masonry<\/div>\n

                                d. metal or timber ties to arches<\/div>\n

                                e. bas relief carving in stone, timber or plaster<\/div>\n

                                g. ceramic cladding and facing<\/div>\n

                                h. interlocking panelled geometric timber construction<\/div>\n

                                i. screens or pierce grilles in marble, metal or timber for window openings<\/div>\n

                                j. internal window lights in stained glass set in plaster<\/div>\n

                                k. colonettes, particularly at quoins<\/div>\n

                                l. stalactite decorations<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 An important structural or ornamental device, the \u201cstalactite\u201d is peculiar to countries dominated by Islam<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The pointed arch, sometimes stilted, was used from earliest stages in Moslem development, producing a series of forms: two-centred, four-centred, horseshoe, cusped, foliated and ogee<\/div>\n

                                <\/div>\n

                                <\/div>\n

                                EXAMPLES<\/div>\n

                                \n

                                A. THE ARAB PENINSULA, SYRIA and MESOPOTAMIA
                                \n1. KUBBET- ES- SAKHRA ( DOME OF THE ROCK ), JERUSALEM<\/h3>\n<\/div>\n

                                <\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is probably the most fundamentally important Islamic structure<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sometimes described as a mosque but it should be properly thought of as a shrine<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Occupies a spot on the temple platform sacred to Jews, Christians and Moslems; for there stood successively the Altar of David, the Temple of Solomon, Temple erected by the Jews after their exile, Temple of Herod ( destroyed A.D. 70 ), and Hadrian\u2019s Temple of Jupiter<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It consists of a great central dome covering the summit of Mt. Moriah, whence the prophet is believed to have made his night ride to heaven<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Its double timber dome is carried on great masonry arcade, which is surrounded by arcaded aisles on an octagonal plan<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The interior is richly finished in quartered marbles and glass mosaic<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The exterior wall surface, now sheathed in sixth-century Turkish tiles, was originally faced with glass mosaic<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The dome, although subsequently reconstructed, has always consisted of an approximately concentric cross-braced inner and outer timber framework<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In concept, the building is similar to the Byzantine Holy Sepulchre in Jerusalem which was designed to emulate<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In structural technique, it closely follows Syrian precedent, and in it is a continuation of the tradition of Hellenized Syria<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Built by the Ummayad Caliph Abd Al-Malik, although in its feature the building seems entirely Syrio \u2013 Byzantine<\/div>\n

                                <\/div>\n

                                2. MOSQUE OF AL-AQSA, JERUSALEM<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The most ancient mosque in Jerusalem<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Built to commemorate the supposed miraculous transport of the prophet Mohammed in Mecca in a single night to the great Temple platform in Jerusalem sacred alike to Jews, Christians and Moslems<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stands adjacent to the Dome of the Rock and align upon it.<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Here probably stood a basilican church of Justinian, with nave and aisles to which double aisles were afterwards added, and this was probably converted into a mosque, enlarged and beautified by Caliph Abd-al- Malik<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Subsequent reconstruction in 780 and 1035 have produced a multi aisled prayer space, in which the central aisle is flanked by Corinthian colonnades of Roman proportions, carrying an arcaded wall complete with triforium and clear story, and terminated by a dome over what, in so church like a structure, it is tempting to call a sanctuary<\/div>\n

                                \n

                                3. THE GREAT MOSQUE, DAMASCUS<\/h3>\n<\/div>\n

                                <\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stands on the site of the Roman temple converted into a church by Theodosius and rebuilt in AD 75 into a mosque by Moslems<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is the earliest mosque to survive intact<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The original temple of Damascus stood in a walled temenos ( sacred enclosure )<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 At each corner of its rectangular plan there stood a square tower<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In the Christian era, a church was built within the enclosure, occupying a small part at the centre<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 After the Arab conquest another part of the enclosure was simultaneously used as a mosque<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In 705 the Caliph Al Walid, needing a mosque adequate for the large congregation of his capital, took over the entire temenos<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A dome on a high drum was built over the middle of the central aisle<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 This is the first o many examples of the use of superimposed arcades to give a greater height to mosque interior<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Despite the Romano-Byzantine techniques of construction and decoration, the building is designed for Moslem purpose and has a strong Islamic quality<\/div>\n

                                <\/div>\n

                                \n

                                4. THE MOSQUE OF THE PROPHET\u2019S HOUSE, MEDINA<\/h3>\n<\/div>\n

                                <\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The house of Mohammed was enlarged and rebuilt as a full congregational mosque in 707-709 by Greeks and Egyptian craftsmen augmenting local labour<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The introduction of one of the first two mihrabs has given rise to the suggestion that mihrab may have a Coptic origin<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It contains the simple tomb of the prophet<\/div>\n

                                <\/div>\n

                                \n

                                5. THE GREAT MOSQUE OF MALVIYA, SAMARRA<\/h3>\n<\/div>\n

                                <\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Now disaffected, was the largest mosque ever built<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It was the work of Caliph Al-Mutawakkil who also built the nearby mosque of Abu Dulaf<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It consists of an immense walled courtyard on a ratio of three to two, 155m x 238 m overall surrounded by four aisles, except on the south where their number was increased to nine<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The internal structure of mud brick piers and pole joisted roof has long been disappeared but the massive brick outer walls remain, buttressed at intervals of 15.2 m by half-round towers<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The dramatic and evocative feature of this building is the enormous helicoidal minaret at the northern end, isolated from the mosque, but on the main axis<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The notion of winding ramp encircling a diminishing tower derives originally from the ziggurats of Mesopotamia<\/div>\n

                                <\/div>\n

                                6. THE QUBBAT AS \u2013 SULAIBIYA, SAMARRA<\/div>\n

                                <\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Was constructed over the grave of the Caliph Al-Muntasir<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 This is the first known mausoleum\u00a0 of Islamic history<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Was constructed on the orders of the Caliph\u2019s Greek mother on a low hill on the west bank of the Euphrates and aligned upon the Great Mosque<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The grave was set beneath the plastered block structure, whose style set an important precedent for the octagonal tomb structures first popular in Central Asia and spreading thence to India and Turkey<\/div>\n

                                <\/div>\n

                                \n

                                7. CITY OF BAGHDAD<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Constructed in 762 onwards a few miles up the Tigris from the decaying Sassanian capital Ctesiphon by the triumphant Caliph Al-Mansur as the capital of the Islamic world<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Circular in the plan, moated and walled, with four great entrances on principal axes<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Its diameter was nearly 2,743 m and a surrounding great wall was almost 18.3 m high<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The palace at the centre was built on intersecting cross axes radiating from the four gates at the cardinal points<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The whole of the centre of the city was given over to the palace, which accommodated the administrative buildings and was crowned by a\u00a0 high green dome to symbolize the capital<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The residential quarters formed a ring immediately inside the great wall<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nothing now survives of the round city, and its character must be deduced from fragmentary descriptions and comparative work at Samarra<\/div>\n

                                \u00b7<\/div>\n

                                \n

                                B. EGYPT AND NORTH AFRICA TO TUNISIA<\/h3>\n

                                1. THE MOSQUE O AL \u2013ASHAR, CAIRO<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is the earliest surviving Fatimid structure<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Converted into a university in AD 988, has an enormous mosque court enclosed by arcades, beyond which is the nine aisled sanctuaries with a hundred antique columns, forming one of the most interesting buildings in Cairo<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A direct sequel to the mosque of Ibn Tulun<\/div>\n

                                <\/div>\n

                                \n

                                2. THE MOSQUE OF SULTAN BAYBARS, CAIRO<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Was the first mosque built by a Mamluk Sultan<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It was of an interesting type, with great iwans fronting its courtyard<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Has only one minaret<\/div>\n

                                <\/div>\n

                                \n

                                3. MADRASSAH OF SULTAN SALIH, CAIRO<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is the earliest surviving example and typical collegiate mosque-the madrassah<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Has an indirect entrance to central courtyard on to which face four iwans<\/div>\n

                                <\/div>\n

                                \n

                                4. THE MOSQUE OF \u2018AMR, CAIRO<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The most ancient mosque in Egypt<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is said to contain some of the earliest pointed arches in that country<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The open court about 250 ft square with central fountain or ablutions has a single arcade on the entrance front and triple arcades on either side<\/div>\n

                                <\/div>\n

                                \n

                                C. SPAIN AND WESTERN NORTH AFRICA<\/h3>\n<\/div>\n

                                <\/div>\n

                                \n

                                1. GREAT MOSQUE, KAIROUAN, TUNISIA<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Founded in the 7th century<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Important for its minaret, the earliest complete surviving example of a structure built for its purpose<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The architectural origin of its minarets can be traced to the square shafted tapering stone church towers o Syria and the preceding Roman towers of the region<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The mosque itself has a near rectangular courtyard, flanked by multi-columned arcades carrying flat roof<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Its incorrect southward orientation reveals its Syrian origin<\/div>\n

                                <\/div>\n

                                <\/div>\n

                                \n

                                2. THE ALHAMBRA, GRANADA<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u00a0 fortified palace with a complex of buildings set in gardens<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Probably the most famous of all Saracenic structure<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gorgeous pleasure palace, in the new Caliphate of the West, of the Caliph Abd al Walid, who built mosques at Jerusalem and Damascus<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Intended to impress the imagination of the conquered country as well as to minister to his enjoyment\u00a0 of the passing hour<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The principal part of the palace consists of two large rectangular courts, one reserved for the use of the sovereign (b) and his entourage and the other for public ceremonial (a)<\/div>\n

                                a. Court of the Lions<\/div>\n

                                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 –\u00a0\u00a0\u00a0\u00a0\u00a0 Is 35.00 m x 20.00 m<\/div>\n

                                –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is surrounded by arcades, in which very slender columns with high dessert blocks carry a perforated arcade structure of stucco, incredibly pierced and interlaced to give it a filigree like delicacy<\/div>\n

                                –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 At the eastern end of the court is the Hall of Justice, while the other halls terminate the cross axes<\/div>\n

                                –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The domed structure covering each of these chambers is elaborated with a remarkable complexity of o stalactite detail, executed with perfect discipline<\/div>\n

                                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 b. Court of the Myrtles<\/div>\n

                                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 is 42.00 m x 23.00 m<\/div>\n

                                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 has on its northern termination to its axis the massive tower of Komares, containing the Hall of<\/div>\n

                                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ambassadors, an almost symmetrical cubic chamber crowned by a polygonal dome<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Perhaps the most extraordinary achievement of Islamic architecture is possessed of an almost ethereal quality which springs from its decorative complexity<\/div>\n

                                <\/div>\n

                                \n

                                3. THE GREAT MOSQUE, CORDOBA<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Was begun in 785 by Apd ar \u2013 Rahman I<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The first stage of the mosque displays a positive and vigorous quality that sets the pattern for three major additions\u00a0 done by Apd ar Rahman II in 848, Al-Hakam in 961and 968, and by Al \u2013 Mansur in 987<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Designed to be inferior in size only to the Malviya and Abu Dulaf Mosques in Samarra<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The minaret added by Apd ar \u2013 Rahman II was of the square towered Syrian type<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The arcades set parallel to the main axis, are carried on a great variety of classical columns<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Their height being inadequate for the mosque interior, its Syrian builders adopted the device previously used in Great Mosque at Damascus of setting double arcade on columns<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Under Al-Hakam, mosaic workers were even brought from Constantinople by arrangement with the Byzantine emperor<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Though now a cathedral, it remains relatively\u00a0 unaltered and stands as one of the supreme achievements of Islamic architecture<\/div>\n

                                <\/div>\n

                                \n

                                D. PERSIA (IRAN) AND TURKESTAN<\/h3>\n<\/div>\n

                                <\/div>\n

                                \n

                                1. TARIK-HAN MOSQUE, DAMGHAN<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is the oldest surviving Moslem building in Persia<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Its plan is essential \u201cArabian\u201d and comprises a collonaded courtyard with a multi columned prayer hall at one end and a detached minaret<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The chief feature of this building is the massive circular piers 1.80 m in diameter and 3.60 m in height from<\/div>\n

                                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 which spring equally ponderous parabolic arches were carrying shallow domes.<\/div>\n

                                <\/div>\n

                                \n

                                2. THE TOMB OF ISMAIL THE SAMANID BUKHARA<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u00a0 relatively small domed mausoleum constructed in highly decorative brickwork<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The building is an almost perfect cube, on which superimposed a hemispherical masonry dome<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The main body of the structure is built in brick, the entire external surface carrying a series o complex patterns of basketweave type, formed by elaborate brick bonding<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The interior is as elaborate as the exterior, the entire finished surface being in brickwork<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The building exemplified a highly developed architectural form and is the precursor in character and structural content of a series of important Moslem tombs<\/div>\n

                                <\/div>\n

                                \n

                                3. MASJID-i-JAMI, ISFAHAN<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is perhaps the most sumptuous and monumental of Persian Seljuk buildings<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It is an accretion of several periods, but the eleventh (11th) century Seljuk work is clearly distinguished and reaches its peak of achievement in the dome of Malik Shah, a great chamber that fronts the mihrab<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Its structure is essentially brick and comprises a high pointed dome on an octagonal drum, incorporating squinches set on cubic chamber<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The plan of the mosque itself reflects Sassanian tradition and is an important departure from the previously universal Arabian type<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It is built almost entirely of bricks and provides a brilliant demonstration of Seljuk mastery of the building of two and four-centred arches, squinches, domes, ribbed and groined vaults and structural stalactites ( muqarnas )<\/div>\n

                                <\/div>\n

                                \n

                                4. GUR-I-MIR, SAMARKAND<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is Tamerlaine\u2019s family mausoleum<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Apart from its size and brilliant ceramic cladding is remarkable or an elongated circular drum, which carries a stilted bulbous ribbed dome, a structure whose extraordinary proportions may reflect the ruler\u2019s idiosyncrasies<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The plan form of this mosque, with a minaret at each corner of its rectangular courtyard, was an important precedent for subsequent Mughal building in India<\/div>\n

                                <\/div>\n

                                5. MADRASSAH MADIR-i-SHAH, ISFAHAN<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is the greatest of the eighteenth-century mosque of Persia<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It is built around two courtyards and continued the traditional plan with a principal iwan leading into a domed prayer chamber<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It is distinguished by its extreme regularity in planning while reflecting in character and detail work of a full century earlier<\/div>\n

                                <\/div>\n

                                \n

                                E. TURKEY<\/h3>\n<\/div>\n

                                <\/div>\n

                                \n

                                1. FATIH MOSQUE, ISTANBUL<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The original \u201c Conqueror\u2019s Mosque\u201d, was begun within ten years of the conquest of Constantinople and was replaced by a building of different design in the eighteenth century<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It consisted of an entrance courtyard and a rectangular prayer space covered by a major dome buttressed by a half-dome over the mihrab<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Was contained within a compound surrounded by a series of colleges, forming the largest early civic group in Ottoman architecture<\/div>\n

                                <\/div>\n

                                \n

                                2. CHINLI KIOSK, ISTANBUL<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Unusual and lovely building on a plan much influenced by Persian architecture<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A cruciform central space is surmounted by a dome and surrounded by other domed chambers and verandahs<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The entrance face is formed by a long arcaded verandah of great elegance, almost unique in the Persian character<\/div>\n

                                <\/div>\n

                                \n

                                3. MOSQUE OF SULTAN BAYAZIT, EDIRNE<\/h4>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is the earliest complete work that fully illustrates the pure Ottoman style<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A building which is remarkable\u00a0 for its completeness and purity<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Behind the rectangular collonaded ablution courts stands a simple cubic prayer chamber surmounted by a hemispherical dome<\/div>\n

                                <\/div>\n

                                \n

                                4. MOSQUE OF BAYAZIT, ISTANBUL<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is the earliest surviving Imperial mosque in the Ottoman capital<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The prayer hall contains four great piers which carry the major dome buttressed by two opposed domes on the long axis<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It was the first substantial Ottoman building to reproduce the structural form of Hagia Sophia<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The side aisles are covered by secondary domes rather than by vaulted galleries and are closely integrated with the main prayer space<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It possesses the earliest surviving fully developed Ottoman minarets, multi-faceted stalactite-balconied, pencil slim and topped with tall leaded steeples<\/div>\n

                                <\/div>\n

                                \n

                                5. SHEHZADE MOSQUE<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Built for Sultan Suleyman by the architect Koca Sinan<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Exhibits perfectly the classical relationship between the parts of the Ottoman mosque<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is particularly remarkable for the symmetry of the prayer chamber, in which half domes buttress the central dome on all four sides and four subsidiary domes complete the covered area<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Is also notable for a high degree of ornamentation for its period, expressed in stalactite headed doorways of incredible precision and complexity, multi-coloured stone inlay in the elaborate crestings and unique bas relief carvings on the minaret<\/div>\n

                                <\/div>\n

                                \n

                                6. SULEYMANIYE MOSQUE, ISTANBUL<\/h3>\n<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Or the Mosque of Suleyman I \u201c The Magnificent\u201d<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Was designed by Architect Koca Sinan<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The main structure resembles Hagia Sophia but is smaller in dimension, the dome has a diameter of 26.00 m and a height of 51.80 m<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It is the centre of a civic complex \u2013 around the compound containing the mosque itself are grouped baths, schools, several colleges, a hospital, group of shops, public restaurants, various living quarters and houses for officials and holders of civic and religious offices<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In structural form, it echoes the nearby Bayazit Mosque and Hagia Sophia<\/div>\n

                                \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ceramic tiles made in Iznik (Nicea), reached the second phase of extensive use in Ottoman architecture by the middle of the sixteenth century<\/div>\n

                                o\u00a0\u00a0 Used modestly but with careful precision in the mosque itself, they are included abundantly and brilliantly in the octagonal tomb of the Sultan and his wife Roxelana, in the cemetery immediately behind the prayer chamber<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

                                ( 7TH CENTURY TO PRESENT DAY )   GEOGRAPHICAL   The Moslem faith flourished principally in the countries of Southern Asia and Northern Africa In modern times the following countries were governed by Islamic rulers and largely populated by Islamic people during the following periods indicated \u00d8\u00a0 Africa North of Sahara ( 7thcentury onwards ) …<\/p>\n

                                ISLAMIC ARCHITECTURE<\/span> Read More \u00bb<\/a><\/p>\n","protected":false},"author":2,"featured_media":2620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"categories":[102],"tags":[],"yoast_head":"\n